The very words of fake, forgery and fiction boil down to a material quality of the making. If fake is a word one would use to describe the qualities of the words forgery and fiction, etymologically it perhaps best describes all three. Fake derives from the Latin word facere, to do, to make, to produce. The notion of making is rooted into the core of the very words fiction and forgery as well. Forgery is a compound of forge and -ery, forge being both the verb of producing metal work as well as the noun describing the location of the forging. Fiction, perhaps most interestingly, after many morphings of its core name has become fully distanced from its origin – from the Latin fingere, to knead, to form out of dough or clay. Fingere, of course, evolves into today’s finger, the instrument of this very tactile quality of making embedded in the three F. Although the table is simply a means of escaping the engulfing fiction of the Carceri, the very quality of the making links well with the surface of the making. As in the case of fingere (an act of making) paradoxically becoming finger (a tool), maybe there is a similar relationship between the made object and the surface it is made on, the table.
Who is the maker that responds to the different aspects and qualities of the Fake, the Fiction and the Forgery? Who better than a fake, an invented character, my paper replica. This replica takes on three roles – that of the Architect, the Archeologist and the Forger. Each of these roles responds in different ways to the fake, the forgery and the fiction according to the context that he is looking at.
The central character (architect/archeologist/forger) fabricates the paraphernalia of four facets of the F(ake/iction/orgery).
I. The Piranesi Table
Piranesi’s Carceri in Rome is a fictional project, populated with imagery of Campo Marzio forgeries and recon-ed through (archeological) fakes.
forgery – fiction – fake
II. Los Angeles Studio Sets
Los Angeles is a city whose very development is a consequence of mass produced fiction, the film industry. The film sets, the sound stages, the sets are forgeries of spaces. At first these spaces might start fakes, facsimiles of a real space, but through the filter of dissimulation of the camera, are seen as real, thus becoming forgeries.
fiction – fake – forgery
III. National Gallery, London
Experts say that, at this moment, almost 40% of the world’s art consists of forgeries. Many forgers sell their paintings to museums, constructing a paper trail that they insert in the museum archives. The National Gallery, according to a famous forger, contains hundreds of forgeries, 20 unnamed ones of which are produced by him. The fake is embedded in the architecture of the building itself – its Robert Venturi and Denise Scott-Brown extension a copy of the original facade.
forgery – fake – fiction
IV. Chinese factory and/or fake city
China, the mass-producer of fakes, be they products that are shipped throughout the world, or immobile fakes in the form of architecture – such as the deserted fake European cities or the rice paddy Eiffel Tower.
fake – fiction – forgery