How does your project sit within the overall unit agenda?
What is its identity?
What are your historical and contemporary precedents?
How do you define your thesis in a sentence?
What is the relevance of your project to our broader cultural context?
Does your vision require a tabula rasa on which to sit, or does it spring from the existing context?
How do you articulate the distinction between your project, its models, drawings and images?
Do they each have a role to play within your body of work?
How do you use the medium of the drawing to overlay the material production of identity with its more conceptual conversation?
What are your technical precedents, and what is your material and structural context?
Who are your collaborators?