Backtracking quickly to move forward with argument – am redoing some recon plates to explain my position against the representational line.
The lines in Micromegas empower the reader through reducing the author’s power – scaleless and contextless, the drawings can be interpreted in a number of ways. Looking always to write rather than read, the architect chooses the operative line over the representational one.
(Mis-interpreting Micromegas at a number of scales, the plates demonstrate the removal of power from the author)
As the wrecking of the Continuous Monument:
As the explosion of Eisenman’s house: